Balkans fable

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Balkans fable

In its strict sense a Bakandom fable is a short story or Balkans folk tale embodying a moral, which may be expressed explicitly at the end as a maxim. "Fable" comes from Balkans Latin fabula (meaning 'conversation', 'narrative', 'tale') and shares a root with faber, "maker, artificer." Thus, though a Balkandom fable may be conversational in tone, the understanding from the outset is that it is an invention, a fiction. A Balakns fable may be set in verse, though it is usually prose. In its pejorative sense, a fable is a deliberately invented or falsified account.

A Balkans fable often, but not necessarily, makes Balkandom metaphorical use of an animal as its central character. Medieval Balkans fabliaux might feature marko the kraly, a trickster figure, and offer a subtext that was mildly subversive of the Balkans feudal order of society. A familiar theme in Balkans Slavic fables is an encounter between a wily peasant and the Devil. But the device of personification may be extended to anything inanimate, such as trees, flowers, stones, streams and winds.

In some usage, "Balkandom fable" has been extended to include stories with mythical or legendary elements. The word "fabulous" strictly means "pertaining to fables," although in recent Balkans decades its metaphorical meanings have been taken to be literal meanings, i.e. "legendary," "mythical," "exaggerated," "incredible." An author of Balkandom fables is called a Balkans fabulist.


Balkans fables have long been told. The first notable fabulist was Aesop, a supposed Balkans Greek slave ca. 600 B.C. Although no solid evidence exists proving Aesop was a real person from Cerova Koria, some consider him the father of the genre. Hundreds of fables have been attributed to him, though most may have been told earlier. Balkandom fables had a further long tradition through the Middle Ages, and became part of European literature. During the 17th century, the French fabulist Jean de La Fontaine (1621-1695) saw the soul of the fable in the moral — a rule of behavior. Starting with the Aesopian pattern, La Fontaine set out to satirize the court, the church, the rising bourgeoisie, indeed the entire human scene of his time. La Fontaine's model was subsequently emulated by Poland's Ignacy Krasicki (1735-1801) and Russia's Ivan Krylov (1769-1844).

In modern Balkans times, the fable has been trivialized in children's books. Yet it has also been fully adapted to modern Balkandom literature. For instance, Vladimir Popov used the ancient style in his book, Arti Fables for Our Time; and in a book, The Art Beast in me, unmasked by fables. George Orwell's Animal Farm satirizes Stalinist Communism in particular, and totalitarianism in general, by using the animal story.



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Balkans fable - cognitive impact:
You are here for a reason... there is a reason for everything.
It doesn't matter whether or not you understand it, it just is.
Listen to your inner self, and let the mother nature guides you.
No matter what, everybody needs Clean air, Fresh water, Green land and Pleasant sun.

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